‘Nope’ is a joyful defense of capturing spectacle for the right reasons
'Everything Everywhere All at Once' fights back against the vibe shift
What makes the stupidity of 'Jackass Forever' feel so smart?
Theatrical roundup: ‘Shang-Chi and the Legend of the Ten Rings,’ ‘Candyman’
‘The Suicide Squad’ is not as unconventional as it wants you to think
'Parasite,' 'Jojo Rabbit,' and the oppressors we love
'Hustlers' finds love in the club
Quentin Tarantino believes movies can change the world
Don’t call ‘The Last Black Man in San Francisco’ a love letter
'Toy Story 4’ searches for meaning, with mixed results
‘Booksmart’ is the female ‘Superbad,’ and that means more than you think
‘Avengers: Endgame’ and endless content
There are no simple answers in ‘Us,’ and that’s what makes it great
‘The Lego Movie 2: The Second Part’ is an early contender for best movie of the year
Jacob SkubishThe Lego Movie, The Lego Movie 2: The Second Part, Christopher Miller, Phil Lord, Spider-Man: Into the Spider-Verse, 21 Jump Street, 22 Jump Street, Mel Brooks, Charlie Chaplin, Jacques Tati, They Shall Not Grow Old, Cold War
‘Vice’ is the worst movie of the year. Here’s why.
‘Widows’ is a thrilling heist movie that shows people at their worst
‘Mid90s’ is a heartwarming, frustrating tale of masculine self-discovery
‘First Man’ is Damien Chazelle’s anti-‘Whiplash’
‘A Star Is Born’ has many problems, and Lady Gaga is the solution to most of them
'Searching' is more than its computer screen gimmick
